As someone who often thinks about the current state of Western classical music, I wonder very much about listener habits and the exposure different composers and repertoires receive. Methods of measuring these things are numerous, and most seem like they come with their own limitations. For example, what do major orchestras' programming choices really tell us about listener tastes (as opposed to those of conductors and other performers)? What could recording sales reveal, even if such data were findable? Do recording sales even matter anymore, given that we live in the Age of Streaming?
Multiple streaming services do keep statistics on songs and artists. But as of 2021 no such service had a majority share of their market. That said, Spotify comes closest and more than doubles the share enjoyed by its closest competitor, Apple Music. Perusing Spotify's "monthly listeners" numbers for different artists, defined as "how many unique people have listened to the artist's songs within the last 28 days," offers an interesting glimpse into just what classical music their audience spends time listening to. Granted, this data is imperfect, and we don't know who listens to what, why they do, or if some things are disproportionately benefitting from curated and/or algorithmic advantages.
Nonetheless, I have compiled a list of 200 composers (who aren't also major recorded performers of other people's music) and their "monthly listeners" numbers as accessed by me on Spotify during 23 September 2024. Many of these figures will come as little surprise. But occasionally I was struck by composers getting monthly listener numbers that I would not have expected. Another note: this isn't a Top 200 list; it's just a list of 200 composers chosen by me somewhat arbitrarily. So without further ado, here is a nice chunk of names and their statistics (ordered from highest to lowest):
- Hans Zimmer (b. 1957): 12.5 million
- Johann Sebastian Bach (1685-1750): 7.8 million
- Ludwig van Beethoven (1770-1827): 7.7 million
- Wolfgang Amadeus Mozart (1756-1791): 7 million
- Frédéric Chopin (1810-1849): 6.9 million
- Pyotr Ilyich Tchaikovsky: (1840-1893): 6.4 million
- Antonio Vivaldi (1678-1741): 6.2 million
- John Williams (b. 1932): 5.7 million
- Claude Debussy (1862-1918): 5.5 million
- Erik Satie (1866-1925): 5 million
- Johannes Brahms (1833-1897): 4.8 million
- Thomas Newman (b. 1955): 4.8 million
- Camille Saint-Saëns (1831-1921): 4.7 million
- Howard Shore (b. 1946): 4 million
- Danny Elfman (b. 1953): 3.8 million
- Franz Liszt (1811-1886): 3.5 million
- Ennio Morricone (1928-2020): 3.5 million
- John Powell (b. 1963): 3.4 million
- Robert Schumann (1810-1856): 3.4 million
- Edvard Grieg (1843-1907): 3.3 million
- Franz Schubert (1797-1828): 3.3 million
- Antonín Dvořák (1841-1904): 3.1 million
- Alexandre Desplat (b. 1961): 3 million
- George Frideric Handel (1685-1759): 2.8 million
- James Horner (1953-2015): 2.7 million
- Maurice Ravel (1875-1937): 2.6 million
- Georges Bizet (1838-1875): 2.5 million
- Felix Mendelssohn (1809-1847): 2.5 million
- Sergei Rachmaninoff (1873-1943): 2.5 million
- Gabriel Fauré (1845-1924): 2.4 million
- Jean Sibelius (1865-1957): 2.4 million
- Giuseppe Verdi (1813-1901): 2.4 million
- Dmitri Shostakovich (1906-1975): 2.3 million
- Johann Pachelbel (1653-1706): 2.1 million
- Giacomo Puccini (1858-1924): 2.1 million
- Carl Philipp Emanuel Bach (1714-1788): 2 million
- Léo Delibes (1836-1891): 2 million
- Edward Elgar (1857-1934): 1.7 million
- Harry Gregson-Williams (b. 1961): 1.7 million
- Philip Glass (b. 1937): 1.5 million
- Sergei Prokofiev (1891-1953): 1.5 million
- Niccolò Paganini (1782-1840): 1.3 million
- Nino Rota (1911-1979): 1.3 million
- Karl Jenkins (b. 1944): 1.2 million
- Johann Strauss II (1825-1899): 1.2 million
- Samuel Barber (1910-1981): 1.1 million
- John Barry (1933-2011): 1.1 million
- Christoph Willibald von Gluck (1714-1787): 1.1 million
- Aram Khachaturian (1903-1978): 1.1 million
- Jacques Offenbach (1819-1880): 1.1 million
- Nikolai Rimsky-Korsakov (1844-1908): 1.1 million
- Gioachino Rossini (1792-1868): 1.1 million
- Bedřich Smetana (1824-1884): 1.1 million
- Gustav Mahler (1860-1911): 1 million
- Jules Massenet (1842-1912): 1 million
- Richard Wagner (1813-1883): 1 million
- Ottorino Respighi (1879-1936): 993.7 thousand
- Jean-Philippe Rameau (1683-1764): 990.8 thousand
- Henry Purcell (1659-1695): 989.6 thousand
- Gustav Holst (1874-1934): 971.2 thousand
- Alexander Scriabin (1872-1915): 937.9 thousand
- Franz Joseph Haydn (1732-1809): 897.5 thousand
- Nobuo Uematsu (b. 1959): 857.4 thousand
- Charles Gounod (1818-1893): 840.5 thousand
- Carl Orff (1895-1982): 832.6 thousand
- Arcangelo Corelli (1653-1713): 831.7 thousand
- William Walton (1902-1983): 802.6 thousand
- Ralph Vaughan Williams (1872-1958): 801 thousand
- Tomaso Albinoni (1671-1751): 792.6 thousand
- Pietro Mascagni (1863-1945): 774.2 thousand
- Carl Maria von Weber (1786-1826): 751.6 thousand
- Arvo Pärt (b. 1935): 745.6 thousand
- Richard Strauss (1864-1949): 742.1 thousand
- Modest Mussorgsky (1839-1881): 721.8 thousand
- Michael Nyman (b. 1944): 662.5 thousand
- Rachel Portman (b. 1960): 655 thousand
- Domenico Scarlatti (1685-1757): 647.2 thousand
- Jean-Baptiste Lully (1632-1687): 630.2 thousand
- Luigi Boccherini (1743-1805): 620.5 thousand
- Frederick Delius (1862-1934): 618.4 thousand
- Alexander Borodin (1833-1887): 597.8 thousand
- George Gershwin (1898-1937): 596.1 thousand
- Francis Poulenc (1899-1963): 581.9 thousand
- Isaac Albéniz (1860-1909): 566 thousand
- Joaquín Rodrigo (1901-1999): 564.5 thousand
- Jerry Goldsmith (1929-2004): 543.9 thousand
- Béla Bartók (1881-1945): 526.6 thousand
- Clara Schumann (1819-1896): 519.7 thousand
- Hildur Guðnadóttir (b. 1982): 468.2 thousand
- Arnold Schoenberg (1874-1951): 450.7 thousand
- Georg Philipp Telemann (1681-1767): 430.6 thousand
- Igor Stravinsky (1882-1971): 427.8 thousand
- Gaetano Donizetti (1797-1848): 414 thousand
- Bernard Herrmann (1911-1975): 403.4 thousand
- Koji Kondo (b. 1961): 402.6 thousand
- Ferruccio Busoni (1866-1924): 388.3 thousand
- César Franck (1822-1890): 384.8 thousand
- François Couperin (1668-1733): 349.1 thousand
- Alexander Glazunov (1865-1936): 344.9 thousand
- Vincenzo Bellini (1801-1835): 344.4 thousand
- Aaron Copland (1900-1990): 336 thousand
- Fanny Mendelssohn (1805-1847): 333.8 thousand
- Max Bruch (1838-1920): 328 thousand
- Manuel de Falla (1876-1946): 318.5 thousand
- Leoš Janáček (1854-1928): 315.9 thousand
- Benjamin Britten (1913-1976): 308.3 thousand
- Giovanni Battista Pergolesi (1710-1736): 279.3 thousand
- Muzio Clementi (1752-1832): 278.9 thousand
- Hildegard von Bingen (ca. 1098-1179): 270.2 thousand
- Elmer Bernstein (1922-2004): 263.7 thousand
- Gregorio Allegri (1582-1652): 260 thousand
- Maurice Jarre (1924-2009): 245.7 thousand
- Enrique Granados (1867-1916): 240.9 thousand
- Eric Whitacre (b. 1970): 239.2 thousand
- Anton Bruckner (1824-1896): 239.1 thousand
- Amilcare Ponchielli (1834-1886): 232.9 thousand
- Ruggero Leoncavallo (1857-1919): 230.3 thousand
- Hector Berlioz (1803-1869): 228.7 thousand
- Gerald Finzi (1901-1956): 221 thousand
- Claudio Monteverdi (1567-1643): 214.9 thousand
- Heitor Villa-Lobos (1887-1959): 208.9 thousand
- Pietro Locatelli (1695-1764): 205.8 thousand
- Mikhail Glinka (1804-1857): 165.6 thousand
- Krzysztof Penderecki (1933-2020): 159.7 thousand
- Paul Dukas (1865-1935): 156.4 thousand
- Steve Reich (b. 1936): 151.3 thousand
- Morten Lauridsen (b. 1943): 149.6 thousand
- Giulio Caccini (1551-1618): 149.2 thousand
- Karol Szymanowski (1882-1937): 147 thousand
- Johann Christian Bach (1735-1782): 141.6 thousand
- John Adams (b. 1947): 140 thousand
- Carl Czerny (1791-1857): 138.2 thousand
- John Dowland (ca. 1563-1626): 130.4 thousand
- Arturo Márquez (b. 1950): 128.4 thousand
- Johann Nepomuk Hummel (1778-1837): 125.1 thousand
- Franz Lehár (1870-1948): 119.8 thousand
- John Tavener (1944-2013): 119.7 thousand
- John Cage (1912-1992): 110 thousand
- Erich Wolfgang Korngold (1897-1957): 108.7 thousand
- Henryk Górecki (1933-2010): 105.2 thousand
- Kurt Weill (1900-1950): 103.1 thousand
- William Byrd (1543-1623): 102.9 thousand
- Frank Bridge (1879-1941): 101.8 thousand
- Luigi Cherubini (1760-1842): 101.8 thousand
- Giovanni Pierluigi da Palestrina (ca. 1525-1594): 101.8 thousand
- Giacomo Meyerbeer (1791-1864): 90.3 thousand
- Hubert Parry (1848-1918): 90.1 thousand
- Percy Grainger (1882-1961): 89.9 thousand
- Marc-Antoine Charpentier (1643-1704): 87.3 thousand
- Carl Nielsen (1865-1931): 83.6 thousand
- Thomas Tallis (ca. 1505-1585): 82.2 thousand
- Alfred Schnittke (1934-1998): 76.3 thousand
- Antonio Salieri (1750-1825): 75.8 thousand
- Tan Dun (b. 1957): 75.4 thousand
- Paul Hindemith (1895-1963): 75.2 thousand
- Tomás Luis de Victoria (1548-1611): 74.2 thousand
- György Ligeti (1923-2006): 72.4 thousand
- Malcolm Arnold (1921-2006): 68.7 thousand
- Josquin des Prez (ca. 1440-1521): 67.8 thousand
- Orlando di Lasso (ca. 1532-1594): 66.5 thousand
- Édouard Lalo (1823-1892): 66 thousand
- Max Steiner (1888-1971): 65.8 thousand
- Franz von Suppé (1819-1895): 64.9 thousand
- Olivier Messiaen (1908-1992): 62.8 thousand
- Arthur Sullivan (1842-1900): 62.2 thousand
- Thomas Adès (b. 1971): 59.7 thousand
- Henryk Wieniawski (1835-1880): 57.9 thousand
- Charles Villiers Stanford (1852-1924): 52.1 thousand
- Toru Takemitsu (1930-1996): 51.1 thousand
- Louis Spohr (1784-1859): 49.3 thousand
- Guillaume Dufay (ca. 1400-1474): 46.9 thousand
- Zoltán Kodály (1882-1967): 42 thousand
- Christian Sinding (1856-1941): 41.4 thousand
- Darius Milhaud (1892-1974): 37.5 thousand
- Anton Webern (1883-1945): 37.2 thousand
- Ignacy Jan Paderewski (1860-1941): 34.6 thousand
- Guillaume de Machaut (ca. 1300-1377): 32.5 thousand
- Carlo Gesualdo (1561-1613): 32.3 thousand
- Debbie Wiseman (b. 1963): 32 thousand
- Charles-Marie Widor (1844-1937): 31.1 thousand
- Bohuslav Martinů (1890-1959): 29.2 thousand
- Peter Maxwell Davies (1934-2016): 27.5 thousand
- Heinrich Schütz (1585-1672): 26.8 thousand
- Charles Ives (1874-1954): 26.4 thousand
- Alban Berg (1885-1935): 26.2 thousand
- Ernest Chausson (1855-1899): 25.3 thousand
- Giovanni Gabrieli (ca. 1554-1612): 22.3 thousand
- Karlheinz Stockhausen (1928-2007): 21.8 thousand
- Franz Waxman (1906-1967): 20.2 thousand
- Mily Balakirev (1837-1910): 14.4 thousand
- Hugo Wolf (1860-1903): 13.2 thousand
- Arthur Honegger (1892-1955): 11.8 thousand
- Witold Lutosławski (1913-1994): 9.6 thousand
- Michael Tippett (1905-1998): 7.2 thousand
- Franz Berwald (1796-1868): 5.1 thousand
- Elliot Carter (1908-2012): 3.5 thousand
- Hanz Werner Henze (1926-2012): 2.7 thousand
- Milton Babbit (1916-2011): 884
- Harrison Birtwistle (1934-2022): 826
- Roy Harris (1898-1979): 525
I take several things away from this list:
1. Early music looks like it remains a hard sell. But not as hard a sell as late-20th-century avant-garde music.
2. Geeks' tastes aren't necessarily everyone else's tastes. (Conductors and committed hobbyists seem to like Bruckner more than anyone else.)
3. A given composer having had a "hit," even just one big one, drives plenty of these numbers.
4. The implication here is that popular media scores are the primary way in which classical music remains a vibrant part of contemporary culture. People are also thirsty to listen to new classical music that they actually enjoy.
What do you think?
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